Godder, viaggio alle origini dell'Umanità
DANZA/1. Alle Bolle di Nardini l'artista israeliana propone una creazione di grande forza
Anche l'ultimo lavoro della coreografa, "A close look into the happy end", conferma una straordinarietà raramente riscontrabile nella danza contemporanea
L'astro Godder accende le Bolle
Sabine Huynh// Inferno magazine: Publication of second paper on contemporary dance in Israel (in French)
Godder, raised in Israel, blurs the line between dreamer and dreamed, subject and object, outcast and member of the tribe
Art is an aesthetic culture mirror that deals with relationships and the individual. If your work doesn’t touch on anything, you might as well sit and watch TV and that’s not interesting.
Godder is a bewitching dancer, as well as a choreographer who enjoys thinking, defining and contemplating in the bodywork from which she begins and to which she comes
[Someone Total / Rona Koprbus]
Psychology springs to life in this world of movement, roles conflict, often resulting in absurd jumble and collision of our emotions and reflexes. Here I must admit that I could experience what I should have never believed possible: Trans- lingual ( pre- lingual, supra-lingual, infra-lingual) communication works not only in the drama, it works most effectively in humor as well. (Kozneyeles
It proved that this is powerful enough to make such a big difference among the audience. I personally, was moved very much and knocked out completely with such an impact.
[Israel Dance in Transition period/ Takao Norikoshi]
The audience enjoyed her sense of humor very much, which is so serious that it looks funny.
Close Encounters Series: Yasmeen Godder By: DEBORAH FRIEDES